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Features new photography of African ceramics in this collection
Includes works from across the African continent with emphasis on Sub-Saharan Africa and particular strengths in works from Nigeria and Cameroon
Attention to women artists, as African ceramics are mostly made among women
Catalog sections focus on topics of cultural diversity, cross-cultural connections, temporality, embodiment, spirituality, and links between clay and other media
This volume highlights one of the most significant collections of African ceramics in the United States, distinguished for its breadth and representation of women’s excellence in ceramics. It presents these ceramics through sections organized around topics that explore ceramics through different lenses of place, time, artistic media, and cultural identity. This richly illustrated volume organized by the IU Eskenazi Museum of Art celebrates outstanding African ceramics in the collection of Professor Emeritus William M. Itter.
Synopsis
Features new photography of African ceramics in this collection
Includes works from across the African continent with emphasis on Sub-Saharan Africa and particular strengths in works from Nigeria and Cameroon
Attention to women artists, as African ceramics are mostly made among women
Catalog sections focus on topics of cultural diversity, cross-cultural connections, temporality, embodiment, spirituality, and links between clay and other media
This volume highlights one of the most significant collections of African ceramics in the United States, distinguished for its breadth and representation of women's excellence in ceramics. It presents these ceramics through sections organized around topics that explore ceramics through different lenses of place, time, artistic media, and cultural identity. This richly illustrated volume organized by the IU Eskenazi Museum of Art celebrates outstanding African ceramics in the collection of Professor Emeritus William M. Itter.